MDHmusic

Just a slight little something for ya.

I think it’s pretty cool that she won’t show her face in public.  And the dancing in the videos is not bad either…

*this is a cover of the song, not the dancing

It was the first time I’ve attended this, despite having considered it for a few years now – much easier when you aren’t in school 5 days a week.

Great to see so many organisations ready to interact and engage with musicians and educators – from instrument suppliers to cultural institutions, tour companies to exam boards.  An atmosphere of enthusiasm and empowerment – people from all backgrounds being forward-looking and proactive with their expertise.  Musicians with such rigorous and specialised training with wide open minds and big new ideas.

The tone turns a little sour once the seminars focus in on music in schools, sadly.   You hear that entries to arts subjects at GCSE have fallen 14% since ebacc entered the discussion, that in many schools as music teachers move on they are not replaced, and most interestingly the data in the study that led to the idea of ebacc found just as much value in the arts than the 5 subjects that arbitrarily made the cut.  Many stories about how schools are feverishly hasty in making big changes to please government/ofsted priorities (or misunderstandings thereof) – cutting the number of arts  lessons at Key Stage 3 and scheduling compulsory extra Maths/English/Science classes during the time when extra-curricular clubs happen.

I wish the government had the intellectual rigour, understanding of complex systems, creative ideas and humility of the musicians and educators I saw today.
Then they might be better equipped to understand what is enabling for students, teachers, schools, workforces, economies and communities.  And it might help with understanding other stuff like how the NHS actually does happen at the weekends.

The last thing I saw was a presentation about maintaining a successful youtube channel, which provided the most important learning of the day:  Waste as little time as possible on worrying about competing strategies (or ignorant management, budget constraints, jumping through hoops) and keep as busy as possible doing good stuff, whether that be creating interesting youtube content or delivering great (fad-free) music lessons.  Chins up, heads down.

So I took a punt on this.  Tom Waits is a judge.

Tom Waits is a judge.  Sheesh.  The semi-finalists are about to be announced apparently…

Why not ey?

I entered these 2 songs here:

Tom Waits is a judge.

The Voice Festival UK‘s Youth co-ordinator Amy set up this year’s Take the Stage, where schools could come to King’s Place in London, home of the London A Cappella Festival, to participate in a day of a cappella workshopping, arranging and performing.  I had a great time working on some musicianship things and a mass performance with this incredibly able group of students from a mix of state and private schools.

We also had the privilege of hearing (they were impressive, as ever), being critiqued by (they were impressed) and even jamming with The Swingles.  When we performed our arrangement of Walk the Earth’s Shut Up and Dance With Me we inserted an improvisation section to be kicked off by The Swingles.  We ambitiously decided that it would last for as many bars as felt right in the moment, and wow, it was incredible – layers of sound reacting and interacting, finding a gentle zone then building and building filling the room with harmonious sound.

Thanks to the Voice Festival for organising, to LACF and The Swingles, especially Sara, Clare and Nick who stuck around to hear the schools perform and gave really thorough and practical feedback, and to the students and teachers at Halsted, Marist, Southband Intl and Boroughbridge – keep up the amazing work 🙂